<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6612121773658199003</id><updated>2011-07-08T06:25:34.294-07:00</updated><title type='text'>TILM: Technologies in the Learning of Music</title><subtitle type='html'>An international music research project</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://techinlearningmusic.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6612121773658199003/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://techinlearningmusic.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Sociomusicology</name><uri>http://www.blogger.com/profile/09408859984544549259</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://3.bp.blogspot.com/_JaIF83-Q300/S1Zecbcd_6I/AAAAAAAAAHs/TrQtyh42KZQ/s1600-R/David.Hebert_Siba.90582.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6612121773658199003.post-3885358994068243761</id><published>2009-10-19T19:09:00.001-07:00</published><updated>2010-01-26T06:21:46.903-08:00</updated><title type='text'>Project Overview</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;b style=""&gt;Purpose: &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The TILM (Technologies in the Learning of Music) project will research the role of new music-related devices and affiliated technological infrastructures within educational systems and social practices, particularly in &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt;, &lt;st1:country-region st="on"&gt;Finland&lt;/st1:country-region&gt;, and the &lt;st1:country-region st="on"&gt;&lt;st1:place st="on"&gt;USA&lt;/st1:place&gt;&lt;/st1:country-region&gt;. Of particular interest to this study is the practical use of new music applications and sound recording accessibility for mobile telephones and other hand-held devices in informal music learning among children and adolescents. Specifically, the implications of recent product releases from companies such as Sony, Nokia, and Apple will be rigorously evaluated in terms of both theoretical applications and actual use across diverse cultures for the purposes of music learning.&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;Profile of Principal Investigator: &lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;David G. Hebert, PhD &lt;st1:placetype st="on"&gt;&lt;/st1:placetype&gt;&lt;st1:placename st="on"&gt;&lt;/st1:placename&gt;is a Professor of Music with the &lt;st1:placename st="on"&gt;Sibelius&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;Academy&lt;/st1:placetype&gt; (SibA) in &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Finland&lt;/st1:country-region&gt;&lt;/st1:place&gt;, where he mentors doctoral research and contributes to the departments of music education, folk music (ethnomusicology), jazz studies, and music technology.  At SibA, he has recently been appointed Academic Coordinator of the new Master of Global Music Program, offered in a collaboration between music institutions in four Nordic nations. In 2009 he is also a Visiting Research Scholar with Nichibunken, a division of &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt;'s National Institutes of the Humanities, with a summer residency in &lt;st1:city st="on"&gt;&lt;st1:place st="on"&gt;Kyoto&lt;/st1:place&gt;&lt;/st1:city&gt;. His previous appointments were with Seattle Public Schools (USA), Lomonosov Moscow State University (Russia), Tokyo Gakugei University (Japan), Te Wananga O Aotearoa (New Zealand), and Boston University (USA). With graduate degrees in both ethnomusicology and music education, Professor Hebert has served in editorial roles for several scholarly journals in the field of music, and has writings published (or in press) in over 15 refereed journals and 10 books.&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;Prospective International Research Team: &lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;Dr. Alex Ruthmann, &lt;st1:placetype st="on"&gt;University&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;Massachusetts (USA)&lt;/st1:placename&gt;&lt;br /&gt;Dr. Eva Saether, Malmo Academy of Music (Sweden)&lt;br /&gt;Prof. Masafumi Ogawa, Yokohama University (Japan)&lt;br /&gt;Dr. Steve Dillon, Queensland Univ. of Technology (Australia)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;b style=""&gt;Implementation of TILM: &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;This research endeavor will be both multi-phased and multi-faceted in methodology, requiring a synthesis of innovative approaches from sociology and ethnomusicology, including e-fieldwork, online surveys, focus group interviews, and participant observation in case study settings. The proposed project would be coordinated and supported through relationships established via preexisting international networks, specifically Nordplus-funded programs, such as the &lt;a href="http://glomus.net/"&gt;Glomus Network&lt;/a&gt; (which is launching a new &lt;a href="http://glomas.net/"&gt;Master of Global Music Program&lt;/a&gt; in 2010, in collaboration between institutions in Sweden, Denmark, and Finland) and the &lt;span style="font-style: italic;"&gt;Nordic Network for Music Informatics, Performance, and Aesthetics &lt;/span&gt;(NNIMIPA), as well as the &lt;span style="font-style: italic;"&gt;Historical Ethnomusicology &lt;/span&gt;&lt;span&gt;Special Interest Group&lt;/span&gt; of the Society for Ethnomusicology.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style=";font-family:&amp;quot;;font-size:12;"  &gt;&lt;a href="http://muka.siba.fi/fi/yhteystiedot/henkilokunta/david_hebert/"&gt;David G. Hebert, PhD&lt;/a&gt; &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;Principal Investigator&lt;br /&gt;Professor, Sibelius Academy, &lt;st1:country-region st="on"&gt;Finland&lt;/st1:country-region&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;st1:country-region st="on"&gt;&lt;/st1:country-region&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;Relevant Writings: &lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Ruthmann, A. &amp;amp; Hebert, D. G. (in preparation/forthcoming, 2010). Music Learning and New Media in Virtual and Online Environments. In G. McPherson &amp;amp; G. Welch (Eds.), &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;&lt;u&gt;Oxford&lt;/u&gt;&lt;/st1:city&gt;&lt;/st1:place&gt;&lt;u&gt; Handbook of Music Education&lt;/u&gt;. &lt;st1:place st="on"&gt;&lt;st1:placename st="on"&gt;Oxford&lt;/st1:placename&gt; &lt;st1:placetype st="on"&gt;University&lt;/st1:placetype&gt;&lt;/st1:place&gt; Press. &lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Hebert, D. G. (2009). “Virtuality and Music Education in Online Environments,” (in Hungarian, tr. &lt;span style="" lang="DE"&gt;Mariann Ábrahám) &lt;u&gt;Parlando&lt;/u&gt;, Vol. 48 (2009/4)&lt;/span&gt;&lt;span style="" lang="DE"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p&gt;Hebert, D. G. (2008). “Forms of Graduate Music Education: A Response to Kenneth Phillips,” &lt;u&gt;Research and Issues in Music Education&lt;/u&gt;, Vol. 6.&lt;span style=""&gt;  &lt;/span&gt;&lt;/p&gt;  &lt;p&gt;Hebert, D. G. (2008). “Reflections on Teaching the Aesthetics and Sociology of Music Online,” &lt;u&gt;International Review of the Aesthetics and Sociology of Music&lt;/u&gt;, Vol. 39, No. 1 (pp.93-103). &lt;/p&gt;  &lt;p&gt;Hebert, D. G. (2007). “Five Challenges and Solutions in Online Music Teacher Education,” &lt;u&gt;Research and Issues in Music Education&lt;/u&gt;, Vol. 5.&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;Relevant Presentations and Scholarly Activities: &lt;span style=""&gt; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;Guest lecture on "Musical Embodiment and Gesture in Cross-Cultural Perspective" for intensive Master course "Music, Meaning, and Gesture", &lt;a href="http://www.soundmusicresearch.org/NNIMIPA.html"&gt;Nordic Network for the Integration of Music Informatics, Performance, and Aesthetics (NNIMIPA)&lt;/a&gt;, University of Southern Denmark, Odense, Denmark (March 22-24, 2010). &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;Coordination and Collaborative Research Meeting, &lt;a href="http://www.soundmusicresearch.org/NNIMIPA.html"&gt;Nordic Network for the Integration of Music Informatics, Performance, and Aesthetics (NNIMIPA)&lt;/a&gt;, Department of Musicology, University of Oslo, Norway (February 18-19, 2010). &lt;/span&gt; &lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;Paper presentation with Alex Ruthmann, "New Technologies as Tools Supporting Cultural Diversity in Music Education". &lt;i&gt;Cultural Diversity in Music Education&lt;/i&gt; (CDIME-10) conference, Sydney, Australia (January 11-13, 2010)&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Planning committee meeting, &lt;i&gt;Nordic Network for Music Informatics, Performance and Aesthetics &lt;/i&gt;(Nordplus-funded), &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Helsinki&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Finland&lt;/st1:country-region&gt;&lt;/st1:place&gt; (November 16, 2009). &lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Website development strategy meeting, Nordic Master of Global Music, &lt;i&gt;GLOMUS&lt;/i&gt;, coalition of Nordic higher education academies (Nordic network for exchange in global music and related arts), at Royal Academy of Music, Aarhus, &lt;st1:place st="on"&gt;&lt;st1:country-region st="on"&gt;Denmark&lt;/st1:country-region&gt;&lt;/st1:place&gt; (October 6-7, 2009). Sponsored by Nordplus.  &lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Guest Lecture, "Easternization and Music Education", and discussion of individual research projects for graduate music education program (organized by Masafumi Ogawa), &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Yokohama National   University&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt;&lt;/st1:place&gt; (August 26, 2009).  &lt;/p&gt;  &lt;p class="MsoNormal"&gt;Paper presentation, "On Virtuality and Music Education in Online Environments," &lt;i&gt;The Changing Face of Music Education: Music and Environment&lt;/i&gt; (CFME09) International Conference, &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Tallinn University&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Estonia&lt;/st1:country-region&gt;&lt;/st1:place&gt; (April 23-25, 2009) [&lt;a href="http://www.tlu.ee/CFME09/"&gt;&lt;span style="color:purple;"&gt;http://www.tlu.ee/CFME09/&lt;/span&gt;&lt;/a&gt;]. &lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Paper presentation, "Institutionalizing Popular Music Pedagogy: Lessons from Jazz Education," Sixth International &lt;i&gt;Research in Music Education&lt;/i&gt; (RIME) Conference, &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;University of   Exeter&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;United Kingdom&lt;/st1:country-region&gt;&lt;/st1:place&gt; (April 14-18, 2009) [&lt;a href="http://education.exeter.ac.uk/pages.php?id=218"&gt;&lt;span style="color:purple;"&gt;http://education.exeter.ac.uk/pages.php?id=218&lt;/span&gt;&lt;/a&gt;]. &lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Workshop with Alex Ruthmann (by videoconference) on "New Technologies for Music Teaching and Learning," &lt;i&gt;Nordic Network for Music Informatics, Performance and Aesthetics &lt;/i&gt;(Nordplus-funded), &lt;st1:placetype st="on"&gt;University&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;Southern Denmark&lt;/st1:placename&gt;, &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Esbjerg&lt;/st1:city&gt;, &lt;st1:country-region st="on"&gt;Denmark&lt;/st1:country-region&gt;&lt;/st1:place&gt; (March 29-April 5, 2009).&lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Lecture on "New Music Technologies in &lt;st1:country-region st="on"&gt;Japan&lt;/st1:country-region&gt; and the &lt;st1:country-region st="on"&gt;USA&lt;/st1:country-region&gt;," &lt;i&gt;Nordic Network for Music Informatics, Performance and Aesthetics &lt;/i&gt;(Nordplus-funded), &lt;st1:placetype st="on"&gt;University&lt;/st1:placetype&gt; of &lt;st1:placename st="on"&gt;Southern  Denmark&lt;/st1:placename&gt;, &lt;st1:place st="on"&gt;&lt;st1:city st="on"&gt;Esbjerg&lt;/st1:city&gt;,  &lt;st1:country-region st="on"&gt;Denmark&lt;/st1:country-region&gt;&lt;/st1:place&gt; (March 29-April 5, 2009). &lt;/p&gt;  &lt;p class="MsoNormal" style=""&gt;Presentation, "Tools for Collaboration in Online Music Communities," &lt;i&gt;GLOMUS&lt;/i&gt;, coalition of Nordic higher education academies, steering committee meeting at Norwegian Academy of Music, Oslo, Norway (March 3-4, 2009). &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6612121773658199003-3885358994068243761?l=techinlearningmusic.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6612121773658199003/posts/default/3885358994068243761'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6612121773658199003/posts/default/3885358994068243761'/><link rel='alternate' type='text/html' href='http://techinlearningmusic.blogspot.com/2009/10/project-overview.html' title='Project Overview'/><author><name>Sociomusicology</name><uri>http://www.blogger.com/profile/09408859984544549259</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://3.bp.blogspot.com/_JaIF83-Q300/S1Zecbcd_6I/AAAAAAAAAHs/TrQtyh42KZQ/s1600-R/David.Hebert_Siba.90582.jpg'/></author></entry></feed>
